大眾攝影

江苏十一选五兑奖时间:三影堂影展:余少龑個展“獨白”

今天江苏十一选五开奖结果 www.uyhse.com 2019-5-27 GF

余少龑個展

獨白

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A Monologue: A Solo Exhibition by YU Shaoyan

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展期:2019年6月9日—7月9日

Duration:9 June—9 July, 2019

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策展:鐘林春

Curator: ZHONG Linchun

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開幕:2019年6月9日,下午三點

Opening: 9 June, 2019 @ 15:00

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主辦:三影堂廈門攝影藝術中心

Organizer:Three Shadows Xiamen Photography Art Centre

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地點:三影堂廈門攝影藝術中心(廈門市集美區杏林灣營運中心,2號樓301)

Venue: Three Shadows Xiamen Photography Art Centre (301, Building No. 2, Xinlinwan Business Center, Jimei District, Xiamen)

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前言

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鐘林春

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初知少龑(yǎn),是他在假雜志的一個線上展,《扁平的建筑》。那是他留學柏林之初,于街頭所拍的種種建筑表面,冷靜而簡約。及后見他用WASHI FILM和紙膠卷所拍的“花的姿態”三部曲等,忽已有情。黑白的影像,隱約,虛白,流動,有水墨之感。本是修習書法的他,有了這一載體,驀然找到了個人的風格。

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處身異國的他,借師友遙遠的目光,更自信地錘煉自己的攝影語言。他成長著,亦廣泛地吸收著,從東到西。不變的,是他仍愛一人獨行,將一己情感,寄托在山、水、云、海,自然萬物之上。這些出自傳統山水畫的元素,在他的照片里,若現實,若夢幻。他說自己喜歡沉醉其中,用意象來表達意境。他的作品,以此如一次次的獨白,行吟于天地間。

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他寄情于山水,喜歡國畫無問透視的觀看方式。但原不肯止步于此,而去留學的他,更希望做出西方人也看得懂的新作品。他嘗試著,將傳統的書法、國畫,與西方的攝影術結合做成當代藝術。

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不得不說,這是一個很有野心的計劃,但從找到這一和紙膠卷開始,這個探索,有了突破的方向。一度受井上有一啟發的他,決定用抽象水墨一樣的黑白負片的方式,來對接德國浪漫主義風景油畫,及至抽象表現主義的脈絡。他還寫詩,會書法,兼以他對影像、裝置等的興致,很可期待,將來還有更多的可能性。

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他還在尋找并確認風格的路上。從本科書法畢業時,寫下一個巨大的“覺”字開始,到留學德國,創作“花的姿態三部曲”-“腐朽”、“重生”、“綻放”,他始終在尋找那“黑暗中最亮的光”。雖然,未見伊人,心有憂傷。我仍感嘆他,那種“素履之往,獨行愿也”的情懷。

Preface

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I first discovered the images of Shaoyan through an online exhibition titled “Compressed Architecture” that was presented on JZZP’s WeChat account. Shaoyan contributed calm, simple photographs of buildings that he took while studying in Berlin. I then saw his series “The Gestures of Flowers,” an emotional work for which he used Washi Film – a novel black-and-white film that mimics traditional Japanese washi paper. The looming, flowing images looked akin to Chinese ink paintings, and I believe it is with this tool and his background in calligraphy that Shaoyan found his style.

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Shaoyan has wandered far from the motherland, absorbing East and West and adapting his language along the way. But he has retained a sense of solitude and an ability to project emotion? onto mountains, clouds, the sea – indeed, all natural beings. Elements originating in traditional Chinese painting merge with reality in his pictures. He presents us with a reiterative monologue, flickering between heaven and earth.

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Shaoyan is in love with landscape and the askew perspectives of traditional Chinese painting. But he was not content to remain in the province of “tradition.” Studying overseas, he tried to make work that Westerners could understand and appreciate. He explored combinations of Chinese calligraphy and painting and contemporary photography, striving to make modern art.


This is an ambitious goal. And since discovering Washi Film, he has made significant progress. Influenced by the Japansese painter Inoue Yuichi, he decided to use black-and-white film as a form of abstract ink, drawing from abstract expressionism and romantic landscape paintings of Germany. He has also been writing poems, creating calligraphy, and exploring the potential of installations. New possibilities open all the time.

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Shaoyan is still exploring. When he graduated from his undergraduate program in calligraphy, he wrote a large “覺,” which means “feelings” and “introspection.” Then, when he went to Germany to study, he created his “flower trilogy” – “death,” “rebirth,” and “bloom.” He is always looking for “the brightest light in the darkness.” Now he is unsatisfied with himself and on the road to something bigger. I appreciate his lonely persistence.

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-Zhong Linchun

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余少龑 (ya?n)

1989年生,湖北宜昌人。

藝術家,現留學于德國柏林學習攝影。

個人網站:https://suchtsehn.com

2011年畢業于湖北美術學院國畫系首屆書法專業。

2013年-2017年就讀于德國柏林工程藝術大學(BTK)本科攝影專業。

2017年-2019年就讀于德國柏林BTK, University of Applied Sciences攝影專業研究生,獲碩士學位。

余少龑長期致力于中國傳統文化的研究與西方當代藝術的創新與結合,并從中提煉出自己獨特的語言及表現方式。

近期參加的展覽:

2019年2月,“Plus-Minus”群展,德國柏林University of Applied Sciences Europe

2018年6月,“Art Book in China”藝術書展北京站,北京798藝術區木木美術館

2018年6月,“Unfold”上海藝術書展,上海零時藝術中心

2018年4月,“PALYKOgraphy”攝影展,德國柏林University of Applied Sciences Europe

2017年9月,第二屆“寧波國際攝影周”,中國攝影家協會寧波藝術中心

2017年8月,第二屆“Art Book in China” 中國獨立藝術書展,上海民生21世紀美術館

2017年6月 ,第五屆“維也納攝影書展”,奧地利維也納Brotfabrik Expedithalle

2017年4月 ,“藝本”獨立藝術書展,南京藝術學院美術館

2016年9月,首屆“寧波國際攝影周”,中國攝影家協會寧波藝術中心

2016年8月,首屆“Art Book in China” 中國獨立藝術書展,上海民生21世紀美術館

2016年6月,“Einblicke” 攝影展,德國柏林Kunstquartier Bethanien藝術區Camera Austria畫廊工作室

2015年7月,“Yesterday Tomorrow” 攝影展,德國柏林Kunstquartier Bethanien藝術區Projekt Raum展廳

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