大眾攝影

江苏十一选五走势图江苏十一五期:三影堂+3畫廊展訊 | 林舒個展“攝影”

今天江苏十一选五开奖结果 www.uyhse.com 三影堂 2017-7-5 大木神

開幕:2017年7月8日下午三點

展期:2017年7月8日至8月10日

地點:三影堂廈門攝影藝術中心 +3畫廊

萊茵河,安德列亞斯·古斯基,1999

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畫這些攝影名作,我是當做攝影作品來做的,很明顯是關于繪畫和攝影的關系,這樣的關系從攝影一出現就無法擺脫,對我個人而言也是糾纏太久,可以說是我第二在意的關于攝影的問題。我也做過一些嘗試,從《鴆》隱約與中國傳統繪畫的關系到直接在照片上手工上色和繪畫,后來也嘗試過在現成的圖像上繪畫,但是更偏向于繪畫。

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爸爸、媽媽和孩子們,植田正治

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今年我放棄了這些實驗,最初只是想簡單的用繪畫去臨摹攝影,盡可能的放松與克制自己的繪畫技巧,把所有的重點放在照片之上,從而更深入去了解一幅偉大的作品的每一個細節,這種觀察的方式完全不同于普通的觀看。說回繪畫與攝影對我造成的糾結,使我一定要在二者間分出勝負。從現實到攝影,從攝影到繪畫,再從繪畫到成為了現實的攝影。一幅根據照片完成的畫(幾乎已經成為了一種傳統的方式)似乎從來都是一幅畫,但是通過臨摹這些攝影名作,畫“攝影”成為了可能的事情,這些名作強大的阻擋在了被拍攝的物象的面前,深深地印入每一個對攝影和攝影史有所了解的人的腦子里,使繪畫無法穿透攝影而直達這些對象,我終于可以明確無疑的看到一幅照片。攝影在這里是占了上風了,繪畫成為了攝影的替代品而不是相反,只是我沒有想到竟然是繪畫打敗了繪畫,你也可以稱我為是一個攝影的臥底。

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文 / 林舒

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對談:得一以寧——汪賢俊×林舒 談攝影與繪畫

時間:2017年7月8日下午四點

地點:廈門集美區杏林灣營運中心2號樓301

????????? 三影堂圖書館

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我們十分有幸,邀請到南京藝術學院美術學博士、中國集美大學藝術學院的?汪賢俊?教授,與藝術家林舒,一起對談攝影與繪畫的關系。汪賢俊教授的博士論文,為《影像的沖擊:早期攝影對繪畫的影響》,而林舒所探討,是繪畫對攝影的影響。老子說,“反者道之動也”,希望這種相待而看的目光,讓我們對藝術有更清明的觀照。

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Erotos,荒木經惟,1993

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When painting these works, I considered famous photographic pieces so it is clearly about the relationship between painting and photography. This relationship has been unshakeable since the emergence of photography and it's pestered me as individually for a long time—you could say it's my second biggest issue with photography. I've made some attempts, from the faint inkling of Chinese traditional painting in the piece Zhen, to directly applying color by hand to the surface of photographs; I later experimented with drawing on ready-made images but I've always been more partial to painting.

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This year I quit all these experiments, initially thinking I would simply use ink painting to copy photography and attempt as much as possible to relax and restrain my painting technique. By placing all the focus on the photograph, I could more deeply understand every detail of a masterpiece. This type of observational methodology is completely different from conventional viewing. Returning to my entanglement with painting and photography, I definitely wanted to parse out victory and defeat between the two. Reality to photography, photography to painting, painting becoming real photography. Paintings based entirely upon photography always seems to be more like drawings. But by directly copying these famous photographic works, drawing “photography” became a real possibility—these formidable renowned works which obstruct the face of photographed phenomena, deeply imprinted in the minds of everyone with an understanding of photography and photographic history—render painting unable to penetrate photography and reach the subject directly. In this, I was finally able to clearly, undoubtedly see a photograph. Photography occupies the advantageous position, painting becomes its substitute and not its opposite. Herein, to my surprise, painting defeats painting, and you can call me a photographic double agent.

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Lin Shu

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藝術家簡歷

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林舒

出生于福建,現居北京,自由攝影師,《ALTERTRUE》雜志創辦人。

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個展

2013:

《鴆》??法國巴黎

2011:

林舒《鴆》寫真展??日本東京

2010:

第六屆連州國際攝影年展?《鴆》??廣東連州

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群展

2016:

隱逸的靈境?TABULA RASA ?北京

2015 :

FORMAT國際攝影節“來自中國的50本當代攝影畫冊2009-2014”?英國倫敦

谷倉當代影像館駐地計劃??蘭州

2014:

浮世相-新攝影大篷車計劃??北京

2013:

北京國際攝影周??北京

2012:

大理國際影會“亞洲先鋒攝影師成長計劃” ?云南大理

2011:

一重影事??廣東深圳

草場地攝影季24小時北京??北京

CHINA FOTO ?日本東京

2010:

TORA TORA TORA 中國新銳影像展??北京

2009:

《臨點-年輕攝影家眼中的中國》2009年度三影堂攝影獎作品展?北京

2006:

平遙攝影節?“簇”六人展??山西平遙

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出版

《大象·fotoyard》?中國美術學院出版社??2006.12

《中國攝影新銳25》顧錚??浙江攝影出版社??2010.01

《鴆》個人寫真集??日本東京禪畫廊??2011.10

《鼩鼱》假雜志??2015.11

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收藏

何香凝美術館??2011.07

日本東京禪畫廊??2011.10

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Lin Shu

Lin was born in Fujian Province, and is now a freelance photographer in Beijing and the founder of ALTERTRUE?magazine.

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Solo Exhibitions

2013:

“Toxic,” Paris, France

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2011:

“Toxic,”?Zen Foto Gallery, Tokyo, Japan

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2010:

“Toxic,” Lianzhou Foto, Lianzhou, China

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Group Exhibitions

2016:

“Elemental Landscape,” Tabula Rasa Gallery, Beijing, China

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2015:

“50 Contemporary Photobooks from China 2009-2014,” FORMAT International Photography Festival, London, UK

Gucang Contemporary Image Center Residency Project, Lanzhou, China

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2014:

“All Living Creatures: New Photography Sailboat Project,” Beijing, China

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2013:

Photo Beijing, Beijing, China

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2012:

“Asia Pioneer Photographer Foundation Exhibition,” Dali International Photography Exhibition, Dali, China

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2011:

“Recurrent Shadows,” He Xiangning Art Museum, Shenzhen, China

“Caochangdi PhotoSpring: 24 Hour Project,” Caochangdi PhotoSpring, Beijing, China

“CHINA FOTO,” Zen Foto Gallery, Tokyo, Japan

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2010:

“TORA! TORA! TORA! Photography Exhibition,” Caochangdi, Beijing, China

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2009:

“Points of Impact: China through the Eyes of Young Photographers,” Three Shadows Photography Art Centre, Beijing, China

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2006:

“Bunch: Six-Person Exhibition,” Pingyao International Photography Festival, Pingyao, China

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Publications

Elephant- Fotoyard, China Academy of Art Press, December 2006

25 Cutting-Edge Chinese Photographers, ed. Gu Zheng, Zhejiang Photography Publishing Group,?January 2010

Toxic, Zen Foto Gallery, October 2011

Qu Jing, Jiazazhi, November 2015

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Collections

He Xiangning Art Museum, Shenzhen, China, July 2011

Zen Foto Gallery, Tokyo, Japan, October 2011

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三影堂+3畫廊 ?| ?Three Shadows +3 Gallery

新浪微博 Weibo:@三影堂_Plus3Gallery

網站 Web://www.plus3gallery.com

郵箱 Email:[email protected]

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北京 Beijing

開放時間 Open Hours:周二至周日Tue-Sun 10:00-18:00

電話 Tel:+86-10-6431-9063

地址 Add:北京市朝陽區草場地155號A?155A Caochangdi, Chaoyang District, Beijing

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廈門 Xiamen

開放時間 Open Hours:周二至周日Tue-Sun 9:30-17:30

電話 Tel:+86-0592-637-2131

地址 Address:廈門市集美區杏林灣路476號303室 ?303, 476 Xinglinwan Road, Jimei, Xiamen, China

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